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Software Review: ArtRage

One of the most versatile tools out there, ArtRage was created with the traditional painter in mind. Instead of boring rectangular panels, your tools are laid out just as you would lay out your palette in real-life. The most recent version does include an option for a more classic workspace in case you prefer that instead. I stumbled upon ArtRage way back in 2008 and was hooked from the first stroke! If you love painting in Oils, this is definitely the tool you should try. You can lay out thick gloops of paint, play around with different palette knives, all without getting a spot of paint on yourself. The Watercolor brushes blend beautifully and have a range of options to control the flow of water.  Some of the must haves in this tool are the stencils (create lovely airbrush art), tracing mode (onion skins/light box for your canvas), and the more recently added, custom brushes. ArtRage also has mobile versions for both iOS and Android. It costs around $4.99 and includes most of the

Painting Tips: Edge Control


One of the key tips I learnt from an art teacher is how to create better, expressive paintings by focusing on edge control. This is true for traditional painting too but becomes more important in digital painting where you can get static, paint-by-numbers effect if you don't have enough variation in your brush strokes (not just your brushes).

Edges in a painting differentiate between one object to another, and within the object, between one shape to another. There are three major types of edges:
  • Hard edges: a sharp transition from one form to another, for eg. the corner of a cube or the shape of a building in a landscape
  • Soft edges: a smoother transition where the edges fade into each other, for eg. the transition of shadows within a sphere or the glow around the moon
  • Lost edges: are transitions where you cannot determine where one edge ends or begins; for example where part of a face fades into the background. These allow the viewer to fill in the gaps created by the "missing" edges

Here's an example of the edges using Arnold Böcklin's Self-Portrait with Death Playing the Fiddle (1872). The crisp white collar has a hard edge, the transitions in the skin tone and the skull use a soft edge, and the robe is a great example of a lost edge. The right shoulder just fades into the background and the left corner fades out under the palette, but to our eye, we can still recognize it as a black velvet robe. 



But enough reading, here's an awesome video from Marco Bucci that does a fantastic job in explaining how edges work:


If you found this interesting, I would strongly recommend Marco's Digital Brushwork Techniques course on Skillshare. It's a premium course but you can get two months for free by using this link.  

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